The
following text is from an address Mrs Bion
gave in April 1994 in Toronto and Montreal,
Canada. It was first published in The
Journal of the Melanie Klein & Object
Relations Journal, Vol 13, No.1, 1995.
This
is my first visit to Canada. I know and am
known by very few people in this vast
country, so we start on an equally
unfamiliar footing. However, as you and I
have come together, I assume that there is
someone who is of mutual interest to us and
whose name is familiar to us all.
After
recently re-reading most of Bion's writings,
I found myself with conflicting feelings
about this talk. On the one hand, what can I
possibly add to what is already to be found
in his collected works and those of others
who have written about him? On the other
hand, there is so much I could say on my
favourite subject that selection becomes a
problem if I am not to exceed the limits set
by the clock, and thereby leave you wishing
you had stayed at home.
Before
studying the work of original thinkers in
the field of human behaviour and the human
mind, it is surely valuable to know what
influences and experiences contributed to
their personalities, especially as seen
through their own eyes. We are fortunate to
have a record of Bion's own impressions of
his first fifty years in The Long
Week-End and All My Sins Remembered.
Less fortunately, we are left with an
impression of unrelieved gloom and of his
dislike of himself. I tried, therefore, to
present a more balanced view by publishing a
selection of his letters to the family
written during the following thirty years,
giving it the title, The Other Side of
Genius. For those who have not read
those books, a brief biographical outline
may be the best way of setting the scene.
Wilfred
Bion was born in 1897 in Muttra in the
United Provinces of Northwest India where
his father was an irrigation engineer. He
had one sister, three years his junior. At
the age of eight he was sent to school in
England never to return to the India he
loved.
His
years in the prep school were unhappy ones.
To a child of eight it must have seemed as
though some incomprehensible and disastrous
turn of events had deprived him of parents,
home and sunshine, and had dumped him in an
alien land inhabited by nasty little boys
and cursed with an even nastier climate. It
was more than three years before he saw his
mother again - and then, momentarily, did
not recognise her. By the time he entered
the senior school he had adapted well,
joined the "enemy" and enjoyed the next five
years. He always said that what saved him
was his large size, physical strength and
athletic ability.
He left
school in 1915, just before his eighteenth
birthday, and joined the Royal Tank Regiment
in 1916. He was posted to France where he
was on active service until the end of the
war. He was awarded the DSO (Distinguished
Service Order), the L間ion d'Honneur
(Chevalier) and was mentioned in dispatches.
The chapter on the Battle of Cambrai in
November 1917 in The History of the Royal
Tank Regiment, includes the following:
Some
of the tankmen fought on when "dismounted".
A striking example was that of Lt. W. R.
Bion who, when his tank was knocked out,
established an advanced post in a German
trench with his crew and some stray
infantry, and then climbed back on the roof
of his tank with a Lewis gun to get better
aim at an opposing machine-gun. When the
Germans counter-attacked in strength he kept
them at bay until his ammunition ran out and
then continued to fight with the use of an
abandoned German machine-gun, until a
company of Seaforths came up. Its commander
was soon shot through the head, whereupon
Bion temporarily took over the company. He
was put in for the VC (Victoria Cross) and
received the DSO.
After
demobilisation at the end of 1913, he went
up to Oxford to read History at The Queen's
College. Compared with undergraduates
entering university from school, he and
others were "old" war veterans and must have
been in disturbed states of mind.
Nevertheless, his years there remained a
cherished memory all his life, not least
because he was a first- class athlete
(playing rugger with the Oxford Harlequins
and captaining the water polo team). He also
remembered with gratitude conversations with
Paton, the philosopher, and regretted not
having studied philosophy.
On
leaving Oxford, having disappointed his
tutors by not achieving a First Class
Honours degree - due, they said, to the
strain of recent fighting) he tried
school-mastering at his old school for two
years. and then embarked on medical studies
at University College Hospital in London,
already knowing that he was primarily
interested in a strange, new subject called
"psychoanalysis". He said he wisely avoided
disclosing this at his initial interview; he
mentioned, instead, his athletic successes
at Oxford and, lo and behold! he was offered
a place.
As with
his time at Oxford, the memories of these
years from 1924 to 1930 were vivid and
enduring. He was especially impressed by,
and admired, Wilfred Trotter who was not
only an outstanding brain surgeon, but also
wrote Instincts of the Herd in Peace and
War. This was to prove an important
influence on Bion's interest in, and nascent
theories about, group behaviour. It was
first published in 1916 when the horrors of
the First World War had already exposed the
crass stupidity of leaders of nations and
armies alike.
Bion
had no copy of the book. It may have been
among those he lost during air raids over
London in the early thirties and by the
fifties it was out of print. So I had not
been able to read it until a few years ago
when by, by chance, I came across a copy for
20p in an antiquarian bookshop in Oxford - a
happy example of serendipity.
Trotter
makes observations which remind one strongly
of Bion's later views. He speaks of man's "resistiveness
to new ideas, his submission to tradition
and precedent"; of "governing power tending
to pass into the hands of a class of members
insensitive to experience, closed to the
entry of new ideas and obsessed with the
satisfactoriness of things as they are"; of
"our willingness to take any risk other than
endure the horrid pains of thought". Of the
war, then in its second year, he wrote,
"Western civilisation has recently lost ten
millions of its best lives as a result of
the exclusion of the intellect from the
general direction of society . . . so
terrific an object lesson has made it plain
how easy it is for man . . . to sink to the
irresponsible destructiveness of the
monkey". And twenty years later, "man" was
at it again.
After
obtaining his medical qualification Bion
spent seven years in psychotherapeutic
training at the Tavistock Clinic , an
experience he regarded, in retrospect, as
having been of very doubtful benefit. In
1938 he began a training analysis with John
Rickman, but this was brought to an end by
the Second World War.
He
joined the RAMC in 1940 and worked in a
number of military hospitals, trying to
introduce new methods for the treatment of
psychiatric casualties. (This period is
covered in detail in Eric Trist's valuable
contribution, "Working with Bion in the
1940s: The Group Decade", included in the
book, Bion and Group Psychotherapy.)
The
Northfield Experiment, ill-fated and
short-lived, was one of the earliest group
therapy projects. He was also Senior
Psychiatrist to the WOSBs (War Office
Selection Boards) set up to select officers
capable of leadership, using the way
candidates dealt with the tension arising in
working groups to judge their suitability.
What he learnt from these wartime
experiences formed the foundation of his
group work at the Tavistock in the years
immediately after the war, culminating in
his papers published between 1948 and 1951
in the Journal, Human Relations.
Early
in the war he married a well-known actress,
Betty Jardine, who tragically died when
their daughter was born in 1945. So at the
end of the war he was left grieving, with a
baby to care for, very little money and no
immediate regular income to depend on.
He
returned to the Tavistock Clinic, having
written very little up to that time (a paper
entitled "The War of Nerves", in a
collection called The Neuroses in War,
published in 1940, and "Intra-group Tensions
in Therapy", based on the Northfield
Experiment, published in 1943) but in the
next five years he had the opportunity to
exercise his exceptional abilities: he
worked with many different kinds of groups,
took a major part in the whole
re-organisation of the Clinic, chaired the
Planning Committee and the Executive
Committee, entered into analysis with
Melanie Klein, and set up in private
analytic practice in Harley Street.
He was
also Chairman of the Medical Section of the
British Psychological Society to whom he
delivered a paper, "Psychiatry at a Time of
Crisis", in 1948. In 1950 he gave his
membership paper to the British
Psychoanalytical Society, "The Imaginary
Twin".
So,
when we met at the Tavistock in 1951, he had
already written his last group paper and had
a full-time analytic practice. It was
mid-March and we were married in early June.
This sounds rather like rushing from impulse
to action without any intervening thought:
be that as it may, the partnership endured.
It was
not long before I was asked to persuade Bion
to agree to the publication of the group
papers in book form. But, as he explained in
the Introduction, he was "reluctant to do
this without changes embodying later
experience". The inclusion of the 1952
paper, "Group Dynamics: A Re-view", went
some way towards achieving this.
Due to
his absorption in psychoanalysis, the
writing of seven papers between 1952 and
1957, and his habitual lack of interest in
past work, he always preferred to
concentrate on the present - Experiences in
Groups was not published until 1961. It
proved to be his most successful book in
terms of copies sold. Its success surprised
him, especially as he was used to being told
by reluctant publishers in the sixties that
his books sold, "very, very slowly".
The
demand for it continues thirty years after
its publication and forty years since the
original papers were written. I have lost
count of how many foreign editions there now
are; I do know that from an aesthetic point
of view the Japanese is the most beautiful
one to look at.
Melanie
Klein was not sympathetic towards his group
work; in her opinion it was at odds with
analytic work. She was suspicious of some of
his psychoanalytic theories, although she
did ultimately acknowledge their validity.
Bion, on the other hand, did not regard
group work as totally divorced from that of
analysis. He wrote, in the Introduction to
Experiences in Groups:
I am impressed, as a practising
psychoanalyst, by the fact that the
psychoanalytic approach, through the
individual, and the approach these papers
describe. through the group, are dealing
with different facets of the same phenomena.
The two methods provide the practitioner
with a rudimentary binocular vision.
He was
convinced:
of the central importance of the Kleinian
themes of projective identification and the
interplay between the paranoid-schizoid
positions. Without the aid of these two sets
of theories I doubt the possibility of any
advance in the sudy of group phenomena.
Some of
what he says in that Introduction was
prompted by the frequent question, "Why did
you give up group work?"
He was
already engrossed in the practice of
analysis while taking groups but ultimately
realised that, for him at any rate, to
practice both methods in parallel , so to
speak, would not be beneficial to the group,
the individual or the analyst.
In the
light of his increasing experience and
changing views in his practice of analysis,
the papers of the fifties were published in
1967 as Second Thoughts with his
commentary, a critique, to accompany them.
His continuing work with psychotics formed
the foundation of the four books of the
sixties - Learning from Experience,
Elements of Psychoanalysis,
Transformations, and Attention and
Interpretation. The formidable
difficulties involved in the analysis of
such patients is clearly revealed in his
occasional writings both before, during and
after the production of those books: they
show in detail the evolution of his ideas
and theories. They were published in 1991
under the title, Cogitations, the
name Bion gave them. They clarify many of
the obscurities in the books; in my opinion
he pruned away too much of the enormous
amount of preparatory work that went into
the final product, leaving extremely
concentrated faits accomplis and earning for
himself the reputation of being, at best,
difficult to understand, and, at worst,
incomprehensible and crazy.
Andr?
Green wrote in a detailed and valuable
review of Cogitations. "Compared with
Bion's published works, the Cogitations are
thrilling to read and often less difficult
to assimilate, because the author's
formulations are less condensed and because
he makes us witnesses to the process of the
unfolding of his thought. We literally
follow him."
He
often talked to me about his feelings of
being totally in the dark, unable to make
any headway towards fathoming a patient's
behaviour. There were infrequent occasions
when he felt he had a glimpse of
understanding, only to fall back almost
immediately into doubts about the
possibility of any effective treatment. He
would say, "I'm in the wrong job", or, "It's
beyond me", or, "I can't make head or tail
of it." He would sometimes emerge from his
study, where he had been deep in thought,
struggling with these seemingly intractable
problems, looking pale and what I can only
describe as "absented". It was alarming
until I realised that he had been digging so
deep into the nature of the psychotic mind
that he had become "at-one" with the
patient's experience. Very rarely, he was
elated by a sudden flash of understanding; I
remember him exclaiming, "I must be a bloody
genius." But he would soon after decide that
it had been a "blinding flash of the
obvious".
As an
administrator he was an outstanding
influence; he could pinpoint the crux of a
problem and keep discussion "on track" in
committee. With his acute mental vision and
unerring instinct he never allowed the trees
to obscure his sight of the wood. Time
wasting was anathema to him: his heart would
sink if, having completed a meeting's
agenda, someone said, "I would just like to
raise the question of. . ."
Arriving back late, he would exclaim to me,
"Have they no homes to go to!"
He
never sought positions of responsibility -
they were thrust upon him: Director of the
London Clinic of Psychoanalysis from
1956-62; President of the British
Psychoanalytical Society from 1962-65;
Chairman of the Publications Committee and
the Melanie Klein Trust; and member of the
Training Committee from 1966-68. In spite of
his deep dislike of evening meetings - two
or three a week at the end of an already
very long day's work - he accepted these
positions as his contribution as a senior
member of the Society.
Looking
back, it surprises me that in the midst of
so much work and so many commitments, we had
any time for a private life. However,
weekends were sacrosanct times for relaxing
with the family, conversation, listening to
music (our tastes were catholic but
favourites were Bach, Mozart, Haydn, Britten
and Stravinsky), reading, contemplating and
writing. He once said, "I want to be a
psychoanalyst. But I do not want that
experience to make it impossible for me to
have a life worth living where I could never
go to the theatre or a picture gallery or
paint or swim."
The
children looked forward to his reading to
them at bedtime; he was their friend, talked
to them as equals, was gentle and
even-tempered. I do not recall ever hearing
him raise his voice in anger, but angry he
certainly could be - the look in his eyes
and a cutting remark were signs of stormy
weather. He derived intense pleasure from
the children's successes, but never made
them feel diminished by their failures which
he regarded philosophically as a normal part
of life. He restrained his natural anxieties
to allow them to go their own ways, although
he was always ready to offer advice, based
on his own experience, which was usually
given in a lighthearted, amusing way.
Parthenope recalls an episode (included in
her 1987 paper, "Why we cannot say that we
are Bionians"):
"I was
about to leave, at the ripe age of eighteen,
for a long period of study in Italy. The day
before I left, my father called me into his
study, saying that he wanted to speak to me.
I entered the room; silence - he was writing
and perhaps had not noticed my presence.
after a while, and without feeling at all
enthusiastic about the matter, since I
expected some sort of rather oppressive
"good advice", I said, "I'm here."
"Oh
yes, I just want to say two things to you
before you leave. First of all, remember to
go and see the contemporary paintings in
Palazzo Pitti too" (as much as to say, don't
think that Italy and Italian culture are
things of the past; they are alive and
developing), "and then this is for you when
you get lost". "This" was a map of Europe
and Asia Minor."
Remembering his own medical school
interview, he advised Julian, "Be sure not
to mention any interest in psychoanalysis."
Julian has said of him (during an interview
for a 1990 article about the Northfield
Experiment and the subsequent treatment of
mental distress during the Second World
War): "It was evident to me from an early
age that my father was a man of tremendous
courage and immense compassion. Because of
his degree of self-control this was not
always immediately apparent."
When
Nicola told him that she had gained a place
at Cambridge University, he said, "Well
done." He paused, and then, with a
mischievous smile, added. "Pity - wrong
university."
I knew
him as a man of strong emotions who evoked
equally strong feelings in others. He was
deeply moved by beauty in all its forms. He
had a wry sense of humour and an
appreciation of the ridiculous; there are
many stories told of his droll remarks (some
of them apocryphal) that were impossible to
anticipate and always took one by surprise.
When all is said and done, his published
letters illustrate his unique qualities more
strikingly than any number of anecdotes ever
could.
During
the sixties we spent holidays in Norfolk
where we had a cottage on the North coast.
Bion infected the children with a love of
that area known to him since boyhood, and
had visited often during the twenties and
thirties. The bracing climate and austere
landscape were very much in tune with his
temperament. We all remember vividly the
fascinating country walks, the endless
supply of beautiful churches to explore,
ice-cold swims, lark song, primrose picking
- and he made it all precious with his deep
fund of knowledge and reminiscences. He
particularly enjoyed painting there; its
clear air and wide skies make it a painter's
paradise - provided you can prevent the
easel from being blown away by the constant
wind.
Books
and book collecting played a prominent part
in our lives; conversation at mealtimes
usually led to a gradually increasing number
of reference books between the plates. He
always declared that he felt guilty about
spending a great deal of money on books
which, he complained, only turn into
millstones whenever they have to be moved.
Most of ours are much travelled: six
thousand miles to Los Angeles, and another
six thousand back - there were, inevitably,
many more on the return journey.
Our
peripatetic years began in 1967 when Bion
was invited to work for two weeks in Los
Angeles where a few analysts were interested
in the theories of Melanie Klein and hoped
to persuade a Kleinian-trained analyst to
move to California to work with them.
Our
decision to uproot ourselves in January 1968
was not an easy one; we had doubts and fears
about the wisdom of such a major upheaval
and worried about leaving the family. But on
the plus side it offered Bion the
possibility of freedom to work in his own
unorthodox way a freedom he felt he did not
have within the Klein group. He had for a
long time experienced a sense of being, as
he expressed it, "hedged in."
Many of
the British psychoanalytic community were
shocked and baffled; as well as genuine
regret at losing him, the reactions ranged
from surprise to the assumption that it was
his way of going into retirement, to
incomprehension, to disapproval and to dire
warnings of culture shock and imminent
racial bloodbaths in a land of drug
addiction and weird cults. The dangers to be
faced turned out to be of a somewhat
different kind from those visualised by the
prophets in London: the likelihood of being
sued by paranoid patients; of being
prevented from practising by the authorities
on the grounds of lack of American medical
qualifications; of not having a leg to stand
on in a court of law as a "resident alien";
of actively hostile neighbours; even the
possibility of making an adequate income was
in doubt for a time. These were the serpents
in that Garden of Eden where the sun shone,
the flowers bloomed all year and the
swimming pool beckoned.
Change
the vertex again - as Bion might say - and I
see many valuable, long-lasting friendships,
generous hospitality, wonderful art
exhibitions, thrilling orchestral concerts
and recitals at the Music Centre and UCLA.
Our experiences were as diverse as the
country itself and its inhabitants. I must
pay tribute here to our many Californian
friends for their help, support and
invariably stimulating company. I miss them
still.
The
anxieties associated with the fundamental
change in professional status and the loss
of a sense of security (probably illusory
even in one's own country but usually
assumed to exist) added stresses to the
already difficult job of psychoanalysis. But
from what Bion told me and what I sensed,
his work did not suffer; his courage and
characteristic reaction to a challenge were
beneficial stimulants.
A
society fed on distortions of the truth,
facts spiced with phantasy, lying by
omission, the encouragement of false
expectations, presents a rocky foundation
for a structure based on truth, but
psychoanalysis has to be practised in the
real world, however adverse the
circumstances.
In late
1971, when we had been in California for
almost four years, Bion wrote in his
cogitations, "The relationship between
myself and my colleagues in Los Angeles
could be accurately described as almost
entirely unsuccessful. They are puzzled by,
and cannot understand me - but have some
respect even for what they cannot
understand. There is, if I am not mistaken,
more fear than understanding or sympathy for
my thoughts, personality or ideas. There is
no question of the situation the emotional
situation - being any better anywhere else."
Nevertheless I am sure that California
provided the environment, both emotional and
physical, in which he could break free,
develop further his individuality, think
what he called "wild thoughts", give free
rein to "imaginative conjectures" - there is
always the chance that they may turn into
realisations.
In the
mid-70s, the growing interest in so-called
"Kleinian" analysis caused consternation in
the 'traditional' American Psychoanalytic
Society. Bion said, in a 1976 interview,
"...American psychoanalysts think that
psychoanalysis will be undermined by
sanctioning psychoanalysts who support the
theories of Melanie Klein." He was reluctant
to be drawn into this kind of controversy,
regarding it as an irrelevant waste of time.
He succeeded in preserving his independence
by remaining an 'outsider'; he was not a
member of any American psychoanalytic
society, institute or group.
His
South American travels began in August 1968
when he was invited to work in Buenos Aires
for two weeks. Unfortunately, I could not go
with him, so my comments are based on what
he told me in letters at the time and in
conversations later, He enjoyed the
experience immensely, and repeatedly said,
"How I wish you had been there!" He formed a
sympathetic relationship with the analytic
society there, some of whom he had met
previously in London. One particularly
valuable result of the visit was the
stimulus it provided for the writing, and
publication in 1971, of Introduction to the
Work of Bion by Le6n Grinberg, Dan韔 Sor and
Elizabeth Tabak de Bianchedi. A new edition
has recently been published with additional
material on later works.
His
next working trip was in August 1969 to
Amherst College in Massachusetts, for a
Group Relations conference. This was the
second and only other time he went without
me; it was school vacation time, and I took
the children on a tour of Oregon. His
letters made clear that the usual group
tensions and hostilities made themselves
felt no doubt exacerbated by the presence of
the Great Guru Bion. As he wrote to me, "The
continual 'Bion - Bion Bion' did ultimately
make me a bit angry and impatient."
The
next two years were a time of adjustment, of
building up a practice, and of setting to
work on The Dream which became the first
book of the trilogy, A Memoir of the
Future. It was published in 1975,
followed by The Past Presented, in
1977, and The Dawn of Oblivion, in
1979. The three were finally published in
one volume in 1991, fulfilling a wish I had
had for ten years.
This
exciting and disturbing "magnum opus" (it is
certainly a hefty tome of almost seven
hundred pages) is a fictionalised,
dramatised presentation of a lifetime's
experiences, filled with a crowd of
character; voicing the many facets of his
own personality and thought, at the same
time we recognize ourselves among the
dramatis personae. Had he remained in
England he would certainly not have felt
able to express himself in this frank and
revelatory way. I saw the change in him and
the relief he felt in throwing off some
life-long restraints. He wrote in the
Epilogue: "All my life I have been
imprisoned, frustrated, dogged by
common-sense, reason, memories, desires and
- greatest bug-bear of all - understanding
and being understood. This is an attempt to
express my rebellion, to say 'Good-bye' to
all that. It is my wish, I now realise
doomed to failure, to write a book unspoiled
by any tincture of common- sense, reason,
etc., (see above). So although I would
write, "Abandon Hope all ye who expect to
find any facts, scientific, aesthetic or
religious in this book", I cannot claim to
have succeeded. All of these will, I fear,
be seen to have left their traces, vestiges,
ghosts hidden within these words; even
sanity, like 'cheerfulness', will creep in."
In 1972
Bion gave three talks to the
psychoanalytical society in Rome. I hesitate
to use the word, 'lecture,' because he
always spoke extempore, with no notes of any
kind, declaring that he didn't know in
advance what he was going to say. In this
way he achieved an immediate contact, made
all the more effective by his commanding
presence and piercing eyes.
The
invitation to visit S鉶 Paulo for two weeks
in 1973 was prompted by Frank Philips who
had also left London in 1968 and is still
working in S鉶 Paulo.
Brazil,
with its repressive military government at
that time, widespread corruption and
economic chaos, seemed unlikely soil in
which psychoanalysis might flourish, but
adverse circumstances can provide growth
both in individuals and societies. It was an
intriguing prospect. Bion had already met
some of the Brazilian analysts in London
during the fifties and sixties and had found
them receptive to his ideas and to those of
Melanie Klein. They are charming,
affectionate, cultured people - a pleasure
to know and to work with.
His
visit aroused great interest and the
lectures attracted large audiences.
Curiosity and unrealistic expectations were
fuelled by absurd press coverage about "the
most famous psychoanalyst in the world",
(although this was no worse than a New
Yorker's reference to him as 'the hottest
thing in town'). It dismayed and amused him,
but exposure to such journalistic
exaggeration is one of the occupational
hazards faced by those who, whether they
like it or not, are elevated to a kind of
messianic status. As he often remarked, it
is akin to being "loaded with honours and
sunk without a trace". Fortunately for
psychoanalysis, he succeeded in keeping both
feet firmly planted in reality.
He took
pleasure in the work and was stimulated by
it. At the lectures I sensed a marked
willingness and desire to grasp his ideas,
and there was plenty of lively
participation. For those unfamiliar with his
style, expectations would probably have
needed adjustment; those looking for cut and
dried answers to their questions were
disappointed. He agreed with Maurice
Blanchot's statement that "la r閜onse est le
malheur de la question".
He
said, "'answers' are really space-stoppers,
a way of putting an end to curiosity,
especially if you believe the answer is THE
answer". On another occasion he
explained,"When I feel a pressure - I'd
better get prepared in case you ask me some
questions - I say, 'To hell with it. I'm not
going to look up this stuff in Freud, or
even in my past statement - I'll put up with
it', but of course I am asking you to put up
with it too." And again, "If you are looking
for answers to questions. you will not find
them except through your own intuition and
understanding." Accordingly, his replies
were aimed at clarifying the problem by
approaching it by an indirect route, in due
course it became clear that the apparently
irrelevant answer had in fact illuminated
the area of the question and beyond, like a
circular tour bringing the traveller back to
the point of departure but now seen with
increased knowledge and experience gathered
on the journey. As Bion might have put it,
"back to a higher point on the helix."
The
following year, 1974, he was asked to go to
Rio de Janeiro for two weeks, followed by
one week in S鉶 Paulo. He welcomed the
opportunity, although he had some misgivings
about the wisdom of going again so soon
after the 1973 visit. His schedule was, as
usual, a heavy one: five evening lectures
each week, and seven or eight hours of
seminars and supervisions daily. He was
skilful in pacing himself - he regarded this
as highly important in any job - he could
carry a heavy load of work without any
apparent falling off in quality. He was also
able, like Winston Churchill, to fall asleep
for a few minutes and wake refreshed. In
this age of rapid communication, the
precedence accorded to speed - speed tests,
speed reading, snap decisions, 'quiz'
contests aiming for answers in seconds or
even instantaneously - leaves less and less
opportunity for leisure, that is allowance
to think or act without hurry. Bion used to
quote from Ecclesiasticus (xxxviii, 24),
"wisdom cometh to the learned man by
opportunity for leisure."
He
asked, "Is the growth of our wisdom likely
to keep pace with our intelligence? It is a
matter of the greatest possible urgency that
the human animal should discover what sort
of animal he is before he has blown himself
off the earth."
In
1975, Dr. Virginia Bicudo asked us to spend
a month in Brasilia. That year was the
fifteenth anniversary of the founding of the
city; to mark the occasion, four meetings
were held at the Bunti Palace to provide a
panel of discussants (including Bion) with
the chance to express their opinions, hopes
and fears about this unique capital. Apart
from these meetings and three evening talks
at the University, clinical seminars and
analytic sessions filled the four weeks,
five days a week. In addition to analysts
from Brazil, there were some from other
parts of South America who attended the
seminars to take advantage of a month of
concentrated work.
The
fourth, and last, visit to Brazil was for
two weeks in 1978. Here again, he worked in
the same concentrated way: he held fifty
clinical seminars, daily consultations, and
ten evening meetings. Such a volume of work
demonstrated his remarkable vigour and
stamina at the age of eighty.
There
were many other working visits between 1976
and 1979: they included Topeka, London (four
times), Rome (twice), Lyon, Paris, New York,
and Washington.
During
the seventies I undertook the task of
editing his work for publication - in
addition to typing, proof-reading and
corresponding with publishers which I had
already done for many years. It was obvious
that he would never have the inclination to
do the job nor the time available if he was
to continue with the all-absorbing
occupation of creative thinking and writing.
By that time I felt that I knew him and his
way of working and expressing himself as
well as anyone was likely to, and being
present at all his talks made it easier to
recall not only what he said (if recordings
were of poor quality) but also how he said
it. A tape recording tells you only a
limited amount about a speaker; it presents
an editor with the problem of how best to
transfer the spoken word to the printed
page, preserving the individual style and
spontaneity while at the same time producing
smooth-flowing prose. The most difficult
part of the whole job was persuading him to
read the finished product; it would have
been easier to get a child to take a dose of
foul-tasting medicine. He expressed his
feeling somewhat crudely but graphically: "I
don't like examining my own vomit."
The
books which grew out of the talks and
seminars of the seventies - Brazilian
Lectures, Bion in New York and S鉶
Paulo, Four Discussions (held in
Los Angeles) and Clinical Seminars
(in Brasilia) reveal more about his
convictions, his personality and his methods
than any of the earlier writings; they are
an invaluable extension of the theoretical
books. They contain much that is applicable
to whatever discipline you follow: there is
no trace of jargon and he manages to discuss
complex matters in simple language that is
nevertheless penetrating and filled with
wisdom.
By 1978
we were seeing less and less of our family
owing to their work commitments; after
lengthy discussions during that year and
early 1979 we decided to return to England
but were unwilling to sever ties with
California entirely. We sold our house and
bought an apartment, hoping to divide our
time between the Western world and Europe.
Arriving in London on September 1st, Bion
set to work (as usual) while I once more
went house-hunting in the Oxford area. There
were a few analysts in Oxford at that time,
including Oliver Lyth, Isabel Menzies,
Donald Meltzer and Matti Harris. Bion's
arrival added a stimulus to the hope that
the nucleus of a psychoanalytic group could
be formed where none existed.
Having
found a suitable house, we moved in at the
beginning of October, the container arrived
from the docks, and unpacking began. I
recall the hours we spent emptying cartons
of books, a tedious job but one mixed with
the pleasure of meeting "old friends" again.
It has
been suspected and believed that Bion wanted
to return to England because he knew that he
faced imminent death, but although it would
have been natural for him to accept that at
the age of eighty-two his days were
numbered, taking steps to keep a foothold in
California and agreeing to work with a group
in Bombay in January 1980, were not the
actions of a dying man - unless he is given
to gross denial. Bion was, above all else,
scrupulously honest with himself and others.
He
became ill in the third week of October:
myeloid leukaemia, diagnosed on November
1st, developed with extraordinary rapidity
and, mercifully, quickly led to his death on
November 8th.
I turn
now to those aspects of his work that were
of major concern to him and to which he
returned time and time again in
conversations with me. I do not want to
appear to be preaching what I do not
practise, so let me once make it clear that
I base what I say on what I learnt during
twenty-eight years as receptor and
confidante, and also through subsequent
reflection and experience during the fifteen
years since his death. I have discovered
that, as with a successful analysis, the
close collaboration of a marriage makes it
possible for learning and development to
continue with increasing strength after its
ending. An analyst's job is a lonely one:
even communication with colleagues cannot
take the place of contact with a close
companion in whom to confide doubts,
struggles, fears and even, occasionally, the
feeling that a piece of work has been well
done.
First
and foremost he placed respect for the truth
without which effective analysis becomes
impossible. It is the central aim and as
essential for mental growth as food is for
the body; "without it the mind dies of
starvation."
Bion
viewed the concept of truth in different
ways: the usual, everyday meaning; the
search for truth by those engaged in music,
painting, sculpture, and so on; and the fear
of knowing the truth "which can be so
powerful that doses are lethal." And then
there is the kind of Truth that is both
elusive and unattainable. In his own
personal search he constantly forged ahead
through mental complexities with an
intensity which was almost tangible, and as
soon as he had overcome his "monster", he
moved on as if driven by an irresistible
force to the battle.
Experience taught him the value of respect
for the patient and for the unique knowledge
that the patient has of him or her self. No
other information about the patient, from
whatever source, is of such benefit. To
quote him: "If the analyst is prepared to
listen, have his eyes open, his ears open,
his senses open, his intuition open, it has
an effect upon the patient who seems to
grow."
He
advocated the use of speculative imagination
or imaginative conjecture, without which the
analyst will not be able to produce the
conditions in which the germ of a scientific
idea can nourish. At the same time he should
keep it disciplined and avoid being a prey
to a state of rhapsody, that is
metaphorically drugged with optimism,
pessimism or despair. In other words, be rid
of memories and desires. These interfere
with the analyst's ability to focus all
attention on the "here and now" they are
illuminations that destroy the value of the
analyst's capacity for observation, "as a
leakage of light into a camera destroys the
value of the film being exposed."
Psychoanalytic observation is concerned
neither with what has happened nor with what
is going to happen, but with what is
happening. Every session must have no
history and no future - the only point of
importance in any session is the unknown.
It is
hard to know why this recommendation - to
all appearances one of obvious common sense
- should have been adversely criticised and,
one suspects, wilfully misunderstood. Bion
knew that it is extremely difficult to
achieve and can at first arouse fear and
anxiety in the analyst, but he also knew
from experience and perseverance, that it
makes possible what he called "at-one-ment"
with the patient. By divesting the mind of
these temptations, "the noise made by
learning, training and past experience is at
a minimum." Those who have succeeded in
putting this technique into practice have
found it profoundly beneficial. I know that
it was central to Bion's own analytic
method.
He
stressed the need for awareness of the
dangerous nature of the psychoanalytic
experience: it is a stormy, emotional
situation for both people. The analyst, like
an officer in battle, is supposed to be sane
enough to be scared while at the same time
remaining articulate and capable of
translating what he is aware of into a
comprehensible communication.
The
development of his ideas associated with the
impressive caesura of physical birth
occupied him for a considerable time,
leading to some intriguing suggestions about
the effects of pre-natal on post-natal life,
particularly, but not exclusively, that of
the psychotic individual. Since he wrote his
paper, "Caesura", in 1975, there has been
much research into the pre-natal behaviour
and responses of the human foetus. Only two
weeks ago I saw a film about experiments in
foetal education leading, so the researcher
claimed, to increased intelligence and
maturation postnatally. In The Dawn of
Oblivion there is a particularly
apposite conversation between Somites, Soma,
Psyche, Infancy, Childhood and Maturity.
Of the
birth of an idea he said, "Each time
somebody has a new idea, it at once becomes
a barrier, something difficult to penetrate;
instead of being liberating, it becomes
imprisoning."
He well
knew from personal experience that original
thinkers face, first, the struggle to
express new concepts, and then the
opposition and hostility of those who are
unwilling to suffer the turbulence involved
in making a similar effort. In New York, in
1977, he said:
Whether it is a group of people or an
individual which is giving birth to an idea,
the pains which are associated with that
experience are extremely upsetting and
disturbing, and somebody will certainly try
to put a stop to it; nobody likes pain. I
should be surprised if the phagocytes do not
collect and try to gobble up this new idea
before it gets more troublesome, before it
turns into a contagion or an infection.
He
regretted the difficulties and restraints
imposed by the exclusive use of verbal
communication in analysis. He was aware
that, in order to compensate, the analyst
should be acutely aware of the necessity of
using all the senses to pick up messages,
however faint and of whatever kind, from the
patient. He envied the poets, painters,
sculptors, composers of music,
mathematicians, who can communicate in a way
that is penetrating and endures.
Nevertheless he was able to have a lasting
effect on people through the way he
expressed himself verbally, and also through
some indefinable non-sensuous quality.
Siegfried Sassoon wrote of his delight of
knowing and talking with Walter de la Mare,
"I have
never been in his company without a sense of
heightened and deepened perception. After
talking to him, one goes away seeing the
world with rechristened eyes." I have heard
the same thing said of Bion; sometimes a
single meeting has been remembered with
gratitude for many years afterwards.
He
emphasised the importance of interpreting a
silence - or what seems to be a silence. He
said, of the patient who is silent all the
time:
Restricting ourselves to verbal intercourse
won't get us far with this kind of patient.
What kind of psychoanalysis is needed to
interpret the silence? The analyst may think
there is a pattern to the silence. If he
cannot respect the silence, there is no
chance of making any further progress. The
analyst can be silent and listen - stop
talking so that he can have a chance to bear
what is going on.
To
quote him from another occasion:
Some
silences are nothing, they are 0, zero. But
sometimes that silence becomes a pregnant
one; it turns into 101 - the preceding and
succeeding sounds turn it into a valuable
communication, as with rests and pauses in
music, holes and gaps in sculpture.
He drew
attention to the state of mind that the
analyst has to be in during the analytic
session; the margin between being
consciously awake, able to verbalise
impressions, and being asleep, is extremely
small. He found that "being on the right
wavelength is comparatively rare and has to
be experienced to be recognised." He told me
that he also sensed this when alone in deep
thought; he would "wake up" to find light
had been shed on a previously "dark spot."
(Freud's words in a letter to Lou Andreas
Salom?)
Bion
found it useful to consider the existence of
a thought without a thinker. On a tape,
recorded before a visit to Rome in 1977, he
said:
If a thought without a thinker comes along,
it may be a stray thought, or it could be a
thought with the owner's name and address on
it, or it could be a wild thought. The
problem is, what to do with it. Of course,
if it is wild, one might try to domesticate
it. If its owner's name and address are
attached, it could be restored to its owner,
or the owner could be told that you had it
and he could collect it any time he felt
inclined. Or, of course, you could purloin
it and hope either the owner would forget
it, or that he would not notice the theft,
and you could keep the idea all to yourself.
A word about the Grid:
when he was working on its construction in
the early sixties, I remember that he became
very enthusiastic about its possible use as
a tool for the analyst - but not, as he
pointed out, for use during the analytic
session. An unpublished paper he wrote in
1963 has recently been brought to my
attention. It is a more detailed explanation
and discussion of the Grid paper given in
Los Angeles in 1971 (and published in 1977).
He
says: "The procedures I advocate do help to
keep the analyst's intuition in training, so
to speak, and do help in impressing the work
of the sessions on the memory."
There
are those who have found it of value, and
continue to do so, but he gradually became
dissatisfied with it as he realised its
shortcomings. In Rio de Janeiro in 1974 he
said,
"The
Grid is a feeble attempt to produce an
instrument - not a theory. I think it is
good enough to know how bad it is, how
unsuitable for the task for which I have
made it. For me it is a waste of time
because it doesn't really correspond with
the facts I am likely to meet."
As
regards the writing of patient notes, he
ultimately found them useless and
irrelevant. This was, of course, his
personal opinion and not necessarily a
recommendation to others. He recognised the
risk in not being able to produce detailed
information about a patient as evidence in a
court of law, but was willing to take it.
There was a time when he made lengthy,
detailed notes; finding them unsatisfactory,
he tried other methods, but gradually
discarded them all. He found that what might
have helped to clarify his thoughts
immediately after sessions, clarified
nothing at all later.
The way
in which he 'recorded' clinical experience
was by incorporating it into his writing - a
much more valuable method of "thinking
through" the associated problems. As he says
in the introduction to Second Thoughts:
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Memory is born of, and
only suited to, sensuous
experience. As
psychoanalysis is
concerned with
experience that is not
sensuous - who supposes
that anxiety has shape,
colour or smell? -
records based on
perception of that which
is sensible are records
only of the
psychoanalytically
irrelevant. Therefore in
any account of a
session, no matter how
soon it may be made
after the event or by
what means, memory
should not be treated as
more than pictorialized
communication of an
emotional experience.
During the late
seventies he used
another method of
re-experiencing sessions
by drawing captioned
caricatures of patients.
I suspect that this may
have been as good a way
as any. It is a pity
that, for obvious
reasons, they cannot be
published.
While on holiday in
France, six months
before he died, he
recorded some thoughts
on tape. Part of what he
said makes a fitting
conclusion to these
reminiscences of him and
of our years together.
"Comparing my own
personal experience with
the history of
psychoanalysis, and even
the history of human
thought, it does seem to
be rather ridiculous
that one finds oneself
in a position of being
supposed to be in that
line of succession,
instead of just one of
the units in it. It is
still more ridiculous
that one is expected to
participate in a sort of
competition for
precedence as to who is
top. Top of what? Where
does it come in this
history? Where does
psychoanalysis itself
come? What is the
dispute about? What is
this dispute in which
one is supposed to be
interested? I am always
hearing - as I always
have done - that I am a
Kleinian, that I am
crazy; or that I am not
a Kleinian, or not a
psychoanalyst. Is it
possible to be
interested in that sort
of dispute? I find it
very difficult to see
how this could possibly
be relevant against the
background of the
struggle of the human
being to emerge from
barbarism and a purely
animal existence, to
something one could call
a civilised society".
Copyright ?1995
Francesca Bion.
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